Tales of a Strange Love in Dr. Strangelove Essay -- Dr. Strangelove Es

Tales of a Strange Love in Dr. Strangelove Dr. Strangelove , spudmaker Stanley Kubricks nuclear war satire, portrays Americas leaders as bungling idiots and forces American viewers to question the ability of their government. Dr. Strangeloves cast explores the quirks and dysfunctional personality traits that a layperson would find far-fetched in a person of power. The characters are divers(prenominal) yet unified in their unfailing stupidity and naivete. The films hysterical dialogue sheds a darkly comic light at the most ironic of times-war. This film came out at a height of paranoia of the nuclear age and the Cold War, just after the Cuban Missile Crisis. It depicts a horrible, tragic incident in which a breach in the government and diplomatic mistakes result in nuclear holocaust. General Ripper, a psychotic anti-Communist, exploits a loophole in the chain of drop and orders nuclear warheads to be dropped on Russia. Ripper, in a moment of humor, explains his motivation-most l ikely gleaned from bits of red propaganda he has internalized I can no longer sit okay and allow Communist infiltration, Communist indoctrination, Communist subversion, and the international Communist conspiracy to sap and impurify all of our precious bodily fluids. He elaborates further citing the Communist fluoridisation of U.S. drinking water as the most dangerous of Soviet plots to infiltrate and destroy the American people. With all the sense of a Joe McCarthy, Ripper is prepared to begin and withdraw the consequences of a nuclear war. The impending disaster is soon brought to the attention of Americas President Muffle and his team of able advisers, who quickly prove themselves worthless wastes of space. The President scr... ...ar. By presenting war with humor, the film conveys just how much of a farce the nuclear arms race really was. The extreme views of the characters arent fiction Baby Boomers, for example, can mobilise debates about acceptable civilian losses in the ev ent of a bomb being dropped. Kubrick satirizes this time period wonderfully, capturing the insanity of a world bypast mad. The key question of the film really is who is running the mad house? In a world where world leaders scramble and bicker childishly and take advice from Nazi Germans, a world where bombs can be dropped at the will of a psychotic general, one seems better off to recline and jest at the pure insanity of it all. Works Cited Dr Strangelove or How I Learned to Stop Worrying and Love the Bomb. Dir. Stanley Kubrick. Perf. Peter Sellers and George C. Scott. London Columbia Pictures, 1964.